Combining Philosophers

All the ideas for Pittacus, Cardinal/Hayward/Jones and Sebastian Gardner

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17 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner]
Kant halted rationalism, and forced empiricists to worry about foundations [Gardner]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner]
2. Reason / E. Argument / 2. Transcendental Argument
Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner]
6. Mathematics / A. Nature of Mathematics / 2. Geometry
Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner]
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
Leibnizian monads qualify as Kantian noumena [Gardner]
10. Modality / A. Necessity / 8. Transcendental Necessity
Even the gods cannot strive against necessity [Pittacus, by Diog. Laertius]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
The phenomenalist says that to be is to be perceivable [Cardinal/Hayward/Jones]
Linguistic phenomenalism says we can eliminate talk of physical objects [Cardinal/Hayward/Jones]
If we lack enough sense-data, are we to say that parts of reality are 'indeterminate'? [Cardinal/Hayward/Jones]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / c. Primary qualities
Primary qualities can be described mathematically, unlike secondary qualities [Cardinal/Hayward/Jones]
An object cannot remain an object without its primary qualities [Cardinal/Hayward/Jones]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
My justifications might be very coherent, but totally unconnected to the world [Cardinal/Hayward/Jones]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]